Biography of Beth Orton

Singer/songwriter Beth Orton combined the passionate beauty of the acoustic folk tradition with the electronic beats of trip-hop to create a fresh, distinct fusion of roots and rhythm. Born in Norwich, England in December 1970, Orton debuted as one half of the duo Spill, a one-off project with William Orbit which released a cover of John Martyn's "Don't Wanna Know About Evil." She continued working with Orbit on his 1993 LP Strange Cargo 3, co-writing and singing the track "Water From a Vine Leaf" before appearing with the group Red Snapper on their first singles "Snapper" and "In Deep." In 1995 Orton teamed with the Chemical Brothers for "Alive: Alone," the ultimate track on their Exit Planet Dust LP. After assembling a backing band comprised of double bassist Ali Friend, guitarist Ted Barnes, keyboardist Lee Spencer and drummer Wildcat Will, she finally issued her 1996 debut EP She Cries Your Name; her stunning full-length bow Trailer Park, produced in part by Andrew Weatherall, followed later in the year. In 1997, Orton released the superb Best Bit EP, a move towards a more organic, soulful sound highlighted by a pair of duets with folk-jazz legend Terry Callier; the full-length Central Reservation followed in 1999. "Stolen Car" was a moderate hit among college radio and tours across the U.S. were also successful. Three years later, Orton emerged refreshed with her third album Daybreaker. This time around, she collaborated with ex-Whiskeytown frontman Ryan Adams and the Chemical Brothers. In early 2006, Orton released her fourth album, Comfort of Strangers. The 14-song set was recorded in two weeks with producer Jim O'Rourke. ~ Jason Ankeny

Biography of William Orbit

Ambient pioneer, studio master, and omnipresent dance remixer William Orbit began his musical career in the new wave band Torch Song. Even while the group recorded several albums for IRS, Orbit remained in the studio to learn the ropes and began producing and remixing for artists including Sting, Madonna, Prince, the Human League, Erasure, and Belinda Carlisle. Orbit concurrently recorded his own material, and released his first solo album, Orbit, in 1987. That same year, he inaugurated the ambient project Strange Cargo, which released follow-up albums in 1990 and 1993. Also during the late '80s, Orbit latched onto the acid house explosion in England and founded one of the scene's most notable labels, Guerilla Records. Orbit's own Bassomatic recorded for Guerilla alongside British progressive acts Spooky and React 2 Rhythm plus excellent Chicago producers Felix da Housecat and DJ Pierre. Through Virgin, Bassomatic also released an album, Set the Controls for the Heart of the Bass.Though his release schedule slowed slightly during the '90s, William Orbit continued producing and remixing at a furious pace. He also founded a new label, N-Gram Recordings, and prepared to release the classical crossover work Pieces in a Modern Style. The album, which featured electronic interpretations of classical pieces, drew angry protests from composers Arvo Pärt and Henryk Górecki, and they helped block the album's release. In 1998, after 15 years of behind the scenes post-production, Orbit's name hit the mainstream thanks to his helming the Madonna comeback album Ray of Light (Orbit not only produced the entire LP, but co-wrote many of the tracks). The album won Grammy awards for Best Pop Album and Best Dance Recording, and its success led to a host of remixing and production work, including Blur's 1999 album, 13. In 2000, Orbit finally released Pieces in a Modern Style, and the album became an unexpected hit thanks to Ferry Corsten's trance remix of Samuel Barber's Adagio for Strings. In 2006 he returned with Hello Waveforms on the Sanctuary label. Finley Quaye appeared on the album along with former Torch Song/Strange Cargo vocalist Laurie Mayer. ~ John Bush