Biography of Johnny Cash
It is almost un-American not to like Johnny Cash. He sings songs about trains and God and farmers and Indians. And he's been around forever. Wasn't "I Walk the Line" in the '50s sometime? And wasn't he in jail for a while? No, he sang in jail -- that's right! He's the guy who sang "Folsom Prison Blues." And he's still making records, right? How can you not like him?The trick is to get past the myth and all the hype and just listen to some of the music.Pick a period -- there are lots to choose from. I'd recommend starting at the beginning, maybe with the aforementioned "I Walk the Line." Or you might go back several months to the original version of "Folsom Prison Blues." There are no convicts screaming in the background here, but it's a mighty fine record. In fact, many of Cash's early recordings for the Sun label are about as close to perfect as one can imagine. Things couldn't get much simpler. Perfectly simple, you might say.Cash's early 45s, even his first album, feature just Johnny Cash and his two-man band, The Tennessee Two: a minimalist electric guitar and acoustic bass. You might think, "If there are just the two of them, they must do some mighty fancy picking, right?" Put it this way: the musical limitations of The Tennessee Two make Johnny Cash sound like Pavarotti. Rather than embellish Cash's strikingly sparse sound, Sun Label owner Sam Phillips let the band's "boom-chicka-boom" and Cash's lonely baritone vocals hang in an eerie sea of echo that, just months before, had swathed the vocals of Elvis Presley and Carl Perkins. These were friendly waters. The power of these early records (add "Train of Love" and "Big River" to the list) is unmistakable thirty-five years after they were made.To his credit, Johnny Cash's recorded sound has remained almost unchanged across the decades. Like many survivors of the halcyon days at Sun Records, Cash has battled a host of demons including substance abuse and personal tragedies. He has emerged strong and fit for battle. Considering the immense amount of material in his recorded legacy, there is little to be ashamed of. There are few artists with as instantly recognizable a sound and style as Johnny Cash, and few as worthy of the attention of a whole new generation of listeners.Johnny Cash should be approached chronologically. Stay away from his later (Polygram) work until you've digested his Columbia years (1958 through the mid '80s), and don't enter the Columbia years until you can pass a quiz on his Sun period. By 1993, Cash felt estranged from the new country movement and successfully freed himself from Polygram to join forces with rock auteur Rick Rubin on American Records. It turned out to be an inspired decision. ~ Hank Davis
Biography of June Carter Cash
Songwriter, singer, actress, comedienne, and matriarch of country music June Carter Cash was born Valerie June Carter in Maces Springs, VA, on June 23, 1929. Taught by her mother (the legendary Mother Maybelle Carter of the Carter Family) to play autoharp, June entered the spotlight in 1937 singing with her sisters Helen and Anita, eventually performing as the Carter Sisters after the death of June's uncle A.P. Her good humor and quick wit prompted June to perform comedy skits and monologues during the show, and led to a novelty recording of "Baby, It's Cold Outside" with country comics Homer & Jethro which eventually hit number nine on the country charts in 1949.In 1952, Carter married Carl Smith, with whom she performed at Nashville's Grand Ole Opry, and their daughter, Rebecca Carlene (later to record under the name Carlene Carter), was born in 1955. After their divorce in the late '50s, Carter was managed by Colonel Tom Parker and toured with Elvis Presley, and while living in Nashville, she met and briefly married local police officer Rip Nix with whom she another daughter, Rosie. Although Carter dabbled in acting during the '50s, she returned to the musical stage in 1961 when the Carters joined Johnny Cash's road show. Rumor has it that Cash had kept an eye on June since her appearances with the Carter Sisters in the early '50s, commenting, "I'm going to marry that girl someday" (despite the fact that both of them were still married to other people at the time). In 1963, Carter co-wrote the song "Ring of Fire" with Merle Kilgore, which Cash (supposedly June's inspiration for the song) took to number one. Their Grammy-winning duet "Jackson" came true when Cash and Carter "got married in a fever hotter than a pepper sprout" in 1968. Cash has long credited June for forcing him to shake his addiction to amphetamines and encouraging his spiritual development, saying, "she is the person responsible for me still being alive. She came along at a time in my life when I was going to self-destruct." Another Grammy (for "If I Were a Carpenter") and the birth of Carter's third child, son John Carter Cash, followed in 1970.June Carter Cash left the spotlight for most of the '70s and '80s, stating, "I worked with John, but I had enough sense to walk just a little ways behind him. I could have made more records, but I wanted to have a marriage." She did, however, write two autobiographies (1979's Among My Klediments and 1987's From My Heart) and also did some acting, notably on Dr. Quinn, Medicine Woman and alongside Robert Duvall in The Apostle. She did eventually return to recording, releasing a collection of both traditional folk songs and Carter Cash originals entitled Press On in 1999 which won a Grammy for best traditional folk album. Johnny Cash's health seemed to deteriorate throughout the '90s just as his career went through a renaissance, and many fans were shocked when June Carter Cash died suddenly on May 15, 2003, following complications from heart surgery. Given the fact that she had remained apparently rock solid as he got weaker and weaker, it seemed as though Johnny might pass on, but Carter Cash would live forever. Luckily, she does live on today; through the children she raised (many of whom have become musicians themselves), through her writing and appearances on film, through the contributions she made to her husband's life, and most clearly in the music she left behind. ~ Zac Johnson